Available on backorder
Available on backorder
ADAM Audio S5H Midfield Pro Studio Monitor (Single)
AED36,999.00 incl. VAT
Description
ADAM AUDIO S5H
The three-way S5H was conceived, as its name suggests, to be used in a horizontal orientation and features two 10-inch Extended Linear Excursion (ELE) bass drivers, newly designed by ADAM Audio expressly for the S Series. Like the LF ELE units on all the other members of the range, the S5H’s woofers feature ADAM Audio’s proprietary Symmetrical Magnet Assembly (SMA) guaranteeing that low-frequency audio remains tightly controlled and free of distortion at all times. The all-important mid-range frequencies are handled by ADAM Audio’s new hybrid DCH. This innovative 4-inch MF driver was also newly developed by ADAM Audio exclusively for the S Series and combines the sonic advantages of cone and dome drivers in a single, one-piece unit.
Together with the S-ART treble driver — the latest iteration of ADAM Audio’s widely respected folded-ribbon tweeter, now produced to tighter tolerances than ever before — the resulting combination produces a powerful but unfatiguing sound, with a palpable sense of depth: the last word in high-resolution, natural-sounding audio reproduction.
The off-axis responses of the treble and mid drivers remain extremely accurate thanks to the addition of high- and mid-frequency waveguides milled from solid aluminum: ADAM Audio’s newly developed Mid-range and High-frequency Propagation Systems (MPS and HPS). The resultant stable, wide-ranging dispersion ensures that teams of more than one person can work in the loudspeakers’ sweet spot simultaneously, as is often necessary in larger control rooms.
The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.
No fewer than three separate amplifiers power the drivers: a 700 W Class D design for the bass drivers, a 300 W Class D for the mid range and a 100 W Class D unit for the S-ART tweeter.
With its innovative features, advanced design, generous headroom and enormous dynamic range, the S5H takes its rightful place as ADAM Audio’s flagship reference monitor: an extraordinary loudspeaker offering audio reproduction to the very highest standards of fidelity.
DCH™ MIDRANGE DRIVER
The 100mm (4 inch) mid-range driver, newly designed by ADAM Audio’s engineering department for the S Series, is a hybrid design: part cone and part dome driver. The extremely rigid one-piece drive element combines the clean decay characteristic and linear frequency response of a dome driver with the high excursion advantages of a cone driver, audibly improving transparency in the critical mid-range and producing excellent, distortion-free reproduction at high output levels. In conjunction with the high-quality S Series suspension, which properly controls large-scale excursions, wobble is completely excluded. In addition, the DCH’s output extends down an octave further than competing mid-range drivers (as far as 200 Hz), ensuring a clean and consistent dispersion without tonal coloration.
The DCH™ is manufactured using a specially laminated carbon composite material and its domed form renders it very stable. It behaves as a piston up to 8 kHz (one and a half octaves beyond its operational frequency response), does not produce unwanted vibrations and does not deform, even at high output levels. Unwanted ringing and resonances, of the kind that obscure sonic detail and produce listening fatigue, are almost completely excluded, and reproduction remains extremely clean across the driver’s entire operational frequency range.
The robust construction of the DCH also allows it to be placed nearer to the S-ART treble driver. Together, the pair act as a more coherent sound source for the all-important mid-range information, making overall dispersion wider, more consistent and more accurate. Several features resembling those from the ELE bass driver also appear on the DCH™, suitably adapted, such as the linear magnet assembly and suspension and damping systems, vented pole piece, the heat-dissipating chassis/basket, and the large 65 mm (2.5 inch) voice coil. There are a few differences: for instance, the mid-range driver surround is manufactured from a specially formulated foam material. As with the low-frequency driver, fine, highly dynamic details are reproduced without coloration or filtering.
ELE™ BASS DRIVER
The S Series ELE™ bass driver (short for Extended Linear Excursion) is a custom design created especially for and in parallel with the S Series cabinet and bass-reflex system. Realized by an ingenious combination of human engineering skill and the latest computer modeling techniques, it guarantees accurate audio reproduction at an extremely high resolution thanks to the precision-designed relationship between its low weight, optimized inner damping and highly rigid honeycomb cone, in conjunction with a basket which has been developed to eliminate unwanted resonance and distortion. The result is a bass driver that offers audio professionals a clarity and transparency hitherto unexperienced in low-frequency audio reproduction, operating with great precision even at high sound pressure levels.
Another notable feature of the ELE™ driver is its mechanical suspension, which operates optimally even over large excursions in either direction, allowing bass frequencies to be reproduced without distortion at high SPLs. Low-frequency energy is not limited as it is on similar systems, and the dynamics of the original audio are preserved in full. ‘Softer’, less highly tensioned driver suspensions may allow uncontrolled displacement at high SPLs. The highly tensioned linear S Series suspension system, by contrast, dampens the movements of the membrane at high output levels in a controlled manner and returns it to its rest position. The suspension is extremely robust and ensures distortion-free reproduction across the entire audible frequency spectrum.
The newly created long-throw speaker surround was also carefully engineered to be considerably more resilient than competing modern designs. This greatly increases the maximum possible excursion of the driver membrane, improving dynamic range and reducing distortion.
Finally, the loudspeaker basket is anodized by means of a specially optimized process during manufacture: the material’s black finish absorbs heat and provides another means by which the driver is kept cool.
HPS™ WAVEGUIDE
The HPS (High-frequency Propagation System) waveguide was initially designed at ADAM Audio for the S-ART tweeter of the S Series range with the aid of the latest computer modeling techniques. It hones the dispersion of the speakers to an even, uniform consistency, broad in the horizontal axis but tightly focused in the vertical plane. This minimizes potentially distracting reflections from the horizontal surfaces of significant studio furniture (for example mixing consoles), ensures that imaging remains constant, and creates a large, well-controlled and stable ‘sweet spot’, even at high output levels.
The U-ART tweeter as used in the T Series is fitted to a precision waveguide with the same dispersion-control attributes as the HPS waveguide used in ADAM Audio’s flagship S Series studio monitors.
MPS™ WAVEGUIDE
On the S5H and S5V, the DCH mid-range driver is set into an additional waveguide, the MPS (Mid-range Propagation System), which ensures that dispersion remains wide and smooth even over longer listening distances.
Milled from a solid block of aluminum, it hones the dispersion of the speakers to an even, uniform consistency, broad in the horizontal axis but tightly focused in the vertical plane. This minimizes potentially distracting reflections from the horizontal surfaces of significant studio furniture (for example mixing consoles), ensures that imaging remains constant, and creates a large, well-controlled and stable ‘sweet spot’, even at high output levels
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